{"id":4433636163678,"title":"Moorcroft Derngate 161\/11 vase (Num Ed)","handle":"moorcroft-derngate-161-11-vase-num-ed","description":"Moorcroft Derngate vase\u003cbr\u003eShape 161\/11\u003cbr\u003e\u003cbr\u003eDesigner: Emma Bossons FSRA\u003cbr\u003eFrom the Charles Rennie MackIntosh collection\u003cbr\u003e\u003cbr\u003eApprox 31cms (12 1\/4\") tall\u003cbr\u003eApprox 11.5cms (4 1\/2\") wide\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn excellent, first quality condition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComplete with full Moorcroft boxing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGUARANTEED free from damage and repair\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout Derngate: \u003c\/strong\u003e\u003cspan\u003ePerhaps Mackintosh’s most iconic design in 78 Derngate is to be discovered in the hall\/lounge which was designed for entertaining, and was used as a ‘public’ room. 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Mackintosh was given a free hand, and designed a stair screen with panels of decorative leaded glass. Yellow was the one colour the colour-blind owner, Bassett-Lowke could see properly, and so it was used in leaded v-shapes which evoke the speed and streamlining he admired in trains.\u003cbr\u003e\u003cbr\u003eMackintosh’s decorative scheme diffused the potential gloominess of the room with theatrical drama. The walls, ceiling and woodwork were painted, in his words, a ‘velvety black’, relieved with a striking stencil scheme, which appears as heavily geometrical trees with chequered trunks, spaced around the walls. The tree concept was an old favourite of Mackintosh’s, but the jagged downward triangles and use of strong colours - golden yellow with touches of emerald green, vermillion, blue and petunia – anticipate a new and individual way the decorative arts would change with the arrival of Art Deco in the next decade. The Derngate vase shape is newly one launched in 2018. Yet this twenty first century shape seems at home in Derngate’s early twentieth century hall. A perfect marriage of Moorcroft and Mackintosh working in harmony.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e"}

Moorcroft Derngate 161/11 vase (Num Ed)

Product Description
Moorcroft Derngate vase
Shape 161/11

Designer: Emma Bossons FSRA
From the Charles Rennie MackIntosh collection

Approx 31cms (12 1/4") tall
Approx 11.5cms (4 1/2") wide

In excellent, first quality condition
Complete with full Moorcroft boxing
GUARANTEED free from damage and repair

About Derngate: Perhaps Mackintosh’s most iconic design in 78 Derngate is to be discovered in the hall/lounge which was designed for entertaining, and was used as a ‘public’ room. Mackintosh was given a free hand, and designed a stair screen with panels of decorative leaded glass. Yellow was the one colour the colour-blind owner, Bassett-Lowke could see properly, and so it was used in leaded v-shapes which evoke the speed and streamlining he admired in trains.

Mackintosh’s decorative scheme diffused the potential gloominess of the room with theatrical drama. The walls, ceiling and woodwork were painted, in his words, a ‘velvety black’, relieved with a striking stencil scheme, which appears as heavily geometrical trees with chequered trunks, spaced around the walls. The tree concept was an old favourite of Mackintosh’s, but the jagged downward triangles and use of strong colours - golden yellow with touches of emerald green, vermillion, blue and petunia – anticipate a new and individual way the decorative arts would change with the arrival of Art Deco in the next decade. The Derngate vase shape is newly one launched in 2018. Yet this twenty first century shape seems at home in Derngate’s early twentieth century hall. A perfect marriage of Moorcroft and Mackintosh working in harmony.


Sku:
Vendor: Moorcroft
$ 625.00 AUD $ 869.00 AUD
Maximum quantity available reached.

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