{"id":7646187127012,"title":"Moorcroft Hispalian 7\/7 vase | LE 13\/20","handle":"moorcroft-hispalian-7-7-vase-ltd-ed","description":"Moorcroft Hispalian vase\u003cbr\u003eShape 7\u003cbr\u003e\u003cbr\u003eIssued in a worldwide Limited Edition of 20 pieces only\u003cbr\u003e\u003cbr\u003eDesigner: Kerry Goodwin\u003cbr\u003e\u003cbr\u003eFrom the William Moorcroft 150 Years collection\u003cbr\u003e\u003cbr\u003eApprox 19cms (7 1\/2\") tall\u003cbr\u003eApprox 14cms (5 1\/2\") wide\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn excellent, first quality condition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComplete with full Moorcroft boxing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGUARANTEED free from damage and repair\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout Hispalian:\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eWilliam Moorcroft’s Hesperian Ware included designs depicting fish, notably, carp, seaweed and shells. Colours varied from the typical Florian Blue and included greens, yellows and salmon hues sometimes with gold accents. Hispalian utilises accent colours and design to create an Art Nouveau underwater world, tinged with the salmon pinks of the traditional Hesperian Ware. On the 15th April 1902 E. Watling, of retailer Osier, wrote to Mr Moorcroft having seen his fish design to suggest a name for it - “How does Hispalian strike you? (taken from the name of an old Persian city).” The final name was to become Hesperian (from the Garden of Hesperides), but almost 120 years to the date of this historic letter, Hispalian finally makes its world debut.\u003cbr\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the William Moorcroft 150 years Collection:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne hundred and fifty years ago, one of the most gifted potters of his generation, William Moorcroft, was born. Quickly, the art potter gleaned that the consummate skills of botanical design and a passion for the natural world was not enough for his ambitions. In truth, to become an icon for the Applied Arts, success lies not simply in surface decoration and shape design, as these change with what is in vogue during each generation. Something more is always needed. A door had to be opened for generations of potters to perfect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst the emerging Art Nouveau designs of the continent inspired the young Moorcroft in terms of shape and design, it was to be in his home in the Potteries where he would perfect his ceramic alchemy, during his first job in 1897, as a designer for James Macintyre \u0026amp; Co.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere followed the arrival of gold medals from across the Atlantic in St Louis in 1908 to Europe, including a gold medal at the Paris Exhibition in 1925. In 1913 William launched a company under his own name, Moorcroft, and the company we know and love today, was firmly established. With each piece echoing the hallmarks of William’s most renowned work, the Moorcroft designers step forward to honour the founder, of what is said to be one of the greatest Arts and Crafts pottery companies today, with their WILLIAM 150 collection.\u003c\/span\u003e\u003cbr\u003e","published_at":"2022-05-14T06:00:02+10:00","created_at":"2022-05-07T08:41:41+10:00","vendor":"Moorcroft","type":"Vase","tags":["Designer_Kerry Goodwin","Limited Edition","Type_Limited Edition"],"price":150700,"price_min":150700,"price_max":150700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42870805692644,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moorcroft Hispalian 7\/7 vase | LE 13\/20","public_title":null,"options":["Default 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vase\u003cbr\u003eShape 7\u003cbr\u003e\u003cbr\u003eIssued in a worldwide Limited Edition of 20 pieces only\u003cbr\u003e\u003cbr\u003eDesigner: Kerry Goodwin\u003cbr\u003e\u003cbr\u003eFrom the William Moorcroft 150 Years collection\u003cbr\u003e\u003cbr\u003eApprox 19cms (7 1\/2\") tall\u003cbr\u003eApprox 14cms (5 1\/2\") wide\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn excellent, first quality condition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComplete with full Moorcroft boxing\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGUARANTEED free from damage and repair\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout Hispalian:\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eWilliam Moorcroft’s Hesperian Ware included designs depicting fish, notably, carp, seaweed and shells. Colours varied from the typical Florian Blue and included greens, yellows and salmon hues sometimes with gold accents. Hispalian utilises accent colours and design to create an Art Nouveau underwater world, tinged with the salmon pinks of the traditional Hesperian Ware. On the 15th April 1902 E. Watling, of retailer Osier, wrote to Mr Moorcroft having seen his fish design to suggest a name for it - “How does Hispalian strike you? (taken from the name of an old Persian city).” The final name was to become Hesperian (from the Garden of Hesperides), but almost 120 years to the date of this historic letter, Hispalian finally makes its world debut.\u003cbr\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the William Moorcroft 150 years Collection:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne hundred and fifty years ago, one of the most gifted potters of his generation, William Moorcroft, was born. Quickly, the art potter gleaned that the consummate skills of botanical design and a passion for the natural world was not enough for his ambitions. In truth, to become an icon for the Applied Arts, success lies not simply in surface decoration and shape design, as these change with what is in vogue during each generation. Something more is always needed. A door had to be opened for generations of potters to perfect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhilst the emerging Art Nouveau designs of the continent inspired the young Moorcroft in terms of shape and design, it was to be in his home in the Potteries where he would perfect his ceramic alchemy, during his first job in 1897, as a designer for James Macintyre \u0026amp; Co.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere followed the arrival of gold medals from across the Atlantic in St Louis in 1908 to Europe, including a gold medal at the Paris Exhibition in 1925. In 1913 William launched a company under his own name, Moorcroft, and the company we know and love today, was firmly established. With each piece echoing the hallmarks of William’s most renowned work, the Moorcroft designers step forward to honour the founder, of what is said to be one of the greatest Arts and Crafts pottery companies today, with their WILLIAM 150 collection.\u003c\/span\u003e\u003cbr\u003e"}